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The full list of music |
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| Composer | Work | Notes |
|---|---|---|
| John ALCOCK | 1 Almand | Suite no 1 in A |
| 2 Saraband | ||
| 3 Minuet | ||
| Anton ARENSKY | Romance | Op 53 no 05 |
| Six Children's Pieces | Op 34, for piano duet | |
| Thomas Augustine ARNE | 1. Con spirito | Keyboard Concerto no 3 in A |
| 2. Con spirito | ||
| 3. Menuetto | ||
| 4. Moderato | ||
| Andante - Adagio - Allegro | Sonata no 1 in F |
|
| Andante - Adagio - Allegrissimo | Sonata no 2 in E minor |
|
| Prelude - Allegro | Sonata no 3 in G |
|
| Minuet | ||
| Carl Phillip Emmanuel BACH | Solfeggietto | Wq 117 no 2, for left hand alone |
| Rondo in G | Wq 57 no 03 | |
| Fantasia in C | Wq 59 no 06 | |
| Cantabile | from Sonata in B minor Wq 55 no 3 | |
| Gigue | Wq 117 no 1, for one hand alone | |
| Johann Christoph Friedrich BACH | 1. Allegretto | Sonata no 1 in F |
| 2. Andante | ||
| 3. Rondo | ||
| Johann Sebastian BACH | Sinfonia 1 in C | in open score (i.e. on three staves) |
| Sinfonia 2 in C minor | ||
| Sinfonia 3 in D | ||
| Sinfonia 4 in D minor | ||
| Gavotte | arranged for left hand alone from
the Partita no 3 in E for solo Violin. This is a very literal transcription; it is interesting to compare it with the luscious transcription by Rachmaninoff, which makes full use of two hands. |
|
| Prelude | This was written for Lute, BWV999. It can be played with the left hand on a keyboard without changing any notes. | |
| Wilhelm Friedmann BACH | Preludio | from Suite in C minor |
| Fugue in D | no 3 of a set of 8, published in 1778 | |
| Capriccio in D minor | ||
| William BAINES | Goodnight to Flamboro' | These two pieces were published together as Tides. |
| The lone wreck | ||
| 01 Labyrinths | Silverepoints, 4 piecs for pianoforte, were published in 1921 | |
| 02 Water-Pearls | ||
| 03 The Burning Joss-stick | ||
| 04 Floralia | ||
| 01 Ave! Imperator | These three pieces were published
as a group in 1922 under the collective title Milestones:Three pieces for Pianoforte. |
|
| 02 Angelus | ||
| 03 Milestones | ||
| Ludwig van BEETHOVEN | Ode to Joy | Arranged by Liszt, from the 9th Symphony |
| William Sterndale BENNETT | Forget-me-not | |
| William BLITHEMAN | In Nomine (1) | |
| In Nomine (2) | ||
| In Nomine (3) | ||
| In Nomine (4) | ||
| In Nomine (5) | ||
| A group of four Russians BORODIN, CUI, LIADOV, and RIKSKY-KORSAKOV |
24 variations and a Finale | Paraphrases "24 Variations and 14 little pieces for piano, dedicated to young pianists capable of playing the theme with one finger of each hand." For piano duet Published in 1878. |
| 01 Polka | ||
| 02 Funeral March | ||
| 03 Valse | ||
| 04 Berceuse | ||
| 05 Galop | ||
| 06 Gigue | ||
| 07 Fughtta B.A.C.H. | ||
| 08 Tarantella | ||
| 09 Minuet | ||
| 10 Valse | ||
| 11 Requiem | ||
| 12 Carillon | ||
| 13 Grotesque Fugue | ||
| John BULL | In Nomine (1) | Musica Britannica Vol XIV no 20 |
| In Nomine (2) | Musica Britannica Vol XIV no 31 | |
| In Nomine (3) | Musica Britannica Vol XIV no 22 | |
| In Nomine (4) | Musica Britannica Vol XIV no 23 | |
| Walsingham | The first piece in the Fitzwilliam Virginal book. | |
| William BYRD | Walsingham | Condiered by many to be even finer than the John Bull version |
| Lacrymae Pavane | Byrd's transcription for harpsichord of Dowland's famous work | |
| Gary Neil CAIRNEY | ||
| Nicolas CARLETON | In Nomine | from the Mulliner book |
| In Nomine | for 2 to play at one Virginal or organ | |
| Frederic CHOPIN | Cantabile | 1834 |
| Valse in Eb | 1841 | |
| Fuga | a formal two-part fugue | |
| Samuel COLERIDGE-TAYLOR | Valse Rustique | no 2 from Four Characteristic Waltzes, Op 22. |
| Muzio CLEMENTI | Monferrino | no 6 of a set of 6. |
| Minuet | from a Sonata | |
| François COUPERIN | Allemande | included in L'Art de toucher le Clavecin. |
| 1er Prélude | from the set of 6 preludes included in L'Art de toucher le Clavecin. | |
| 2nd Prélude | ||
| John Baptist CRAMER | Study no 11 in B | from the collection of 84 Études |
| Study no 41 in E | ||
| César Cui | Waltz in E minor | No 2 from Three Waltzes Op 31 |
| Claude DEBUSSY | Danse Bohémienne | Debussy's first publihed work, which appeared in 1880 |
| Hommage à Haydn | One of the works published in 1909 by six French composers to celebrate the Centenary of Haydn's death. See also D'Indy, Dukas and Ravel. | |
| John DOWLAND | Fantasy: "Farewell" | This is in fact an In Nomine. |
| Walsingham | 7 variations | |
| Lachrimae | Dowland's original version of the Pavace, for solo lute | |
| Jan Ladislav DUSSEK | Adagio | from Sonata |
| Giles FARNABY | Lacrymae | from the Fitzwilliam Virginal Book |
| Quodling's Delight | ||
| John FIELD | Marche triomphale | "pour celebrer la victoire du General Comte de Witgenstein" |
| Prelude in C minor | Sadly he wrote only 1 tiny prelude, not 24. | |
| Fal Lal La with Variations | "Composed by Master Field" - and published in Dublin when he was 12 | |
| Ar hyd y nos, with variations | published anonymously by Clementi & Co | |
| Waltz | ||
| Romance | Field's own arrangement from the 2nd Piano Concerto | |
| Sicilienne | Field's own arrangement from the 4th Piano Concerto. The transcription of the opening orchestral bars is particlarly magical in my view | |
| Pastorale | This work was first published (in about 1811) as the first movement of the Divertissement no 2 for Piano quintet (Hopkinson no 14). A solo version (1815) appeared as the first of "Three Romances", and is included among standard editions of the nocturnes, as number 8. The edition reproduced here has a new coda, and is from rather later. The cover reads "The much Admired PASTORALE for the PIANO FORTE as played by the Author at the Philharmonic Concert on Monday the 27th. Feby. 1832". This concert took place during Field's final visit to England. | |
| Rondo in A | This work was first published (in about 1811) as the second movement of the Divertissement no 2 for Piano quintet (Hopkinson no 14). A solo version appeared in 1817 (Hopkinson 38) | |
| Johann Caspar Ferdinand FISCHER | 01 Prelude & Fugue in C | This collection of 20 Preludes and
Fugues for Harpsichord or Organ was published by Fischer in 1702, under
the title Ariadne Musica. The title refers to the well-known myth in which Ariadne provides Theseus with a ball of string. This enabled Theseus to mark his route through the labyrinth at Minos and so find his way back after killing the monster at the centre. Fischer was implying that his work would provide invaluable help to musicians struggling with the "maze" of organ music, - and especially with the system of major and minor keys which at that time was in the process of replacing the system of eight church modes which had previously formed the basis for tonality. Ariadne Musica was very popular, and a second edition appeared in 1715. JS Bach was evidently an admirer: it was in 1725 that the first volumer of Das Wohltempierte Klavier was published. Bach not only copied the idea of a collection of Preludes and Fuges in a variety of keys but also paid the tribute of hinting at Fischer's themes from time to time (Compare for example Fischer's fugues in E major and F major with Bach's E major Fugue in WTK2 and F major fuge in WTK1). Of course Bach's masterly collection has eclipsed Fischer's modest set of pieces: indeed many keyboard players nowadays are unaware of the existence of this predecessor which certainly deserves to be credited with establishing the whole genre of collections of preludes. They are also well worth playing for their own sake, and I hope that you will enjoy exploring them. |
| 02 Prelude & Fugue in C# minor | ||
| 03 Prelude & Fugue in D minor | ||
| 04 Prelude & Fugue in D | ||
| 05 Prelude & Fugue in Eb | ||
| 06 Prelude & Fugue in E minor | ||
| 07 Prelude & Fugue in E minor | ||
| 08 Prelude & Fugue in E | ||
| 09 Prelude & Fugue in F minor | ||
| 10 Prelude & Fugue in F | ||
| 11 Prelude & Fugue in F# minor | ||
| 12 Prelude & Fugue in G minor | ||
| 13 Prelude & Fugue in G | ||
| 14 Prelude & Fugue in Ab | ||
| 15 Prelude & Fugue in A minor | ||
| 16 Prelude & Fugue in A | ||
| 17 Prelude & Fugue in Bb | ||
| 18 Prelude & Fugue in B minor | ||
| 19 Prelude & Fugue in B | ||
| 20 Prelude & Fugue in C minor | ||
| Louis GOTTSCHALK | Ballade | Not too demanding |
| Ivor GURNEY | Prelude in F# | Five Preludes published in 1921 by Winthrop Rogers |
| Prelude in A minor | ||
| Prelude in Db | ||
| Prelude in F# | ||
| Prelude in D | ||
| Twyver River | Five Western Watercolours published in 1923 by Stainer & Bell | |
| Alney Island | ||
| The Old Road | ||
| Still Meadows | ||
| Sugar Loaf Hill | ||
| George Frederick HANDEL | 01 A Voluntary on a Flight of Angels | Eight pieces for Clay's Musical Clock For more about Musical Clocks, click here. |
| 02 Sonata | ||
| 03 Allegro | ||
| 04 Gigue | ||
| 05 Minuet | ||
| 06 Allegro moderat | ||
| 07 Air | ||
| 08 Gigue | ||
| Joseph HAYDN | Variations in C | (Just a couple so far of the dozen sets of variations which he wrote) |
| Variations in D | ||
| 01 Allegro | These 4 Pieces were composed for a Musical Clock which was made in 1792 |
|
| 04 Andante | ||
| 05 Minuet | ||
| 06 Minuet | ||
| 01 Andante | Trio in D Hoboken XV/7 (1785) arranged for piano solo |
|
| 02 Andante | ||
| 03 Allegro molto | ||
| Stephen HELLER | Promenades d'un solitaire | Suite 3 no 4 in G minor |
| Richard JONES | Prelude | from Suite in A. |
| Franz LISZT | Ave verum corpus (Mozart) | Transcribed for piano |
| Samuel MAYKAPAR | Pièce enfantine | These are children's pieces which happen to be playable with one hand alone |
| Prelude and Fughetta | ||
| Pastorale | ||
| Wolfgang Amadeus MOZART | AveVerum Corpus | arranged for piano by Liszt |
| 01 Allegro | Viennese Sonatina 02 in A | |
| 02 Minuet | ||
| 03 Adagio | ||
| 04 Rondo | ||
| Andante in F | for Musical Clock, K616. | |
| Adagio in B minor | K540 | |
| Jam Mtislav MYSLIVEČEK | Divertimento 1 in F | from Six easy Divertimenti,1777. |
| Divertimento 2 in A | ||
| Henryk PACHULSKI | Prelude | in C minor |
| Prelude | in F minor | |
| Prelude | in Db | |
| Sir Charles Hubert PARRY | Prelude | from a Suite published in 1918. |
| George Frederick PINTO | Adagio in Ab | from Sonata Op 3 no 1 in Eb minor |
| Adagio in D | from Sonata Op 3 no 2 in A | |
| Adagio in G | from Sonata (1802/3) in C minor | |
| Minuet | written in 1804, published in 1824 in TheHarmonicon | |
| Waltz | written about 1800 | |
| Vladimir REBIKOV | LeDernier Rendez-vous | |
| Max REGER | Improvisation | |
| Camille SAINT-SAËNS | 01Prélude | Six Études pour la maingauche |
| 02Alla Fuga | ||
| 03Moto Perpetuo | ||
| 04Bourrée | ||
| 05Élégie | ||
| 06Gigue | ||
| James SCOTT | The Fascinator | March and Two-step |
| The Pike | a Rag-Time Two-Step | |
| Calliope | a Carnival Rag | |
| A Summer Breeze | March and Two-Step | |
| Alexander SCRIABIN | Prelude | Op 9 nos 1 and 2 for lefthand. |
| Nocturne | ||
| Sir Charles Villiers STANFORD | Prelude in F# minor | from a set of 24 Preludes |
| Sir Arthur SULLIVAN | Daydreams no 1 | |
| Daydreams no 5 | ||
| Jan Pieter SWEELINCK | Meinjunges Leben hat ein End | 6 variations |
| John TAVERNER | In Nomine | The original model for the keyboard genre, transcribedfrom the Mass Gloria Tibi Trinitas |
| Thomas TOMKINS | In Nomine (1) | Musica Britannica Vol V no 05 |
| Jan VORISEK | Rondo in G | Op 18 no 1 |
| Rondo in C | Op 18 no 2 | |
| Hugo WOLF | Wiegenlied | His only publisued work for piano. |
| William WYNNE-WILLSON | InNomine | for left hand alone. |
| Blues in A | two blues for piano duet, each with one easy part | |
| Walking Bass |
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